Thursday, 17 October 2013

'The Face' - Media Reviews

DigitalSpy:

Naomi Campbell on Sky Living's 'The Face'Naomi Campbell is the latest big name from the modelling world to try her hand at reality TV, launching Sky Living's latest attempt at a 'Supermodel X Factor'.

Model reality shows in the UK have a patchy record and that's probably putting it politely. They can never truly compete with their US counterparts when it comes to hideously mean judges, catty contestants and ludicrous melodrama over having to get your hair cut a couple of inches shorter.

Sky Living's signing of Campbell, modelling's most notorious and intriguing character, is probably the last roll of the dice for the format. If Campbell can't make a show about models interesting then I seriously doubt anybody can.

There are some promising early signs that The Face can be more than Next Top Model-lite.

Firstly, its format takes on the classic Voice twist and encourages the judges - Campbell, Erin O'Connor and Caroline Winberg - to fight it out for the girls they want on their team. This spices up the usual judges' chit chat about the girls' looks, which is frankly a bit tedious, and turns the show into a much more entertaining bragging competition between the three super-cocky mentors.

Secondly, it's quickly realised that having beautiful girls taking part is only half the deal with a TV show. They've also included some hideous individuals (think Katie Waissel to the power of Jedward and you'll have the irritation levels of one of the aspiring models) who will make hate-watching every week incredibly easy.


The biggest stumbling block for any TV show about modelling is the puzzle of taking the job - standing, walking, pouting - and making it something that viewers will give a flying one about.

Watching a gaggle of wannabe models bitch and moan for 10 weeks provides a relative amount of amusement, but The Face will need to find a way to spruce up the stereotypical model show challenges.

Take your make-up off and have a photo. Take your clothes off and pose. Have a picture with an animal. And repeat.

If The Face can't figure out a way of dealing with that problem then it will require more than a bit of 'mad Naomi' to save it from the telly trash can.

 

Naomi Campbell, Erin O’Connor and Caroline Winberg form an elegant triumvirate of judges-come-mentors in ‘The Face’, Sky Living’s new modelling reality series. This opening episode pitches us straight into the eliminations. There are no car-crash TV auditions to sit through in this new breed of streamlined reality – we don’t have time to get to know these contestants!

Twenty-four gazelle-like girls are picked in advance of the programme, reduced to 12 by the end of the show. Similar to BBC1’s ‘The Voice’, in that Campbell, O’Connor and Winberg may choose the girl they want for their team, but the final decision is taken by the contestants themselves: the faux fur will surely fly at some point.

This is clearly Naomi Campbell’s showcase but, refreshingly, she seems to have no desire to turn into the sanguine Tyra Banks of ‘America’s Next Top Model’. Her catwalk demonstration is the highlight of the show and proves why, at 43, she still doesn’t need to get out of bed for just anything.


Monday, 14 October 2013

Realism & Lacan Theory

Realism: The techniques by which a media text represents ideas and images that are held to have a true relationship with the actual world around us. Realism means different things in different texts - realism in animation (eg the movement of single hairs in computer animation) means something entirely different to realism in soap opera (eg the depiction of people eating breakfast and talking with their mouths full). it is important to assess how much a text strives for realism, how much audiences are expected to think it is realistic.
(http://www.mediaknowall.com/gcse/keyconceptsgcse/keycon.php?pageID=keyterms)

By definition, reality TV is essentially unscripted programming that doesn't employ actors and focuses on footage of real events or situations. Reality shows also often use a host to run the show or a narrator to tell the story or set the stage of events that are about to unfold. The Face use the 3 Top Model Judges as their hosts, as they explain to the girls what they will be doing next, the audience find out at the same time. Unlike scripted shows like sitcoms, dramas and newscasts, reality TV does not rely on writers and actors, and much of the show is run by producers and a team of editors. Because of this, it can be a very affordable programming option from a production standpoint. However you could argue that The Face does have scripting through picking specific points to show the audience of what the judges are telling them, especially when it comes to the challenges as it is almost certain this has been pre-written before being voiced to the girls. 
The defining aspect of reality TV is  the manner in which it is shot. Whether the show takes place in a real setting with real people (much like a documentary), shoots in front of a live studio audience that participates in the program, or uses hidden surveillance, reality TV relies on the camera capturing everything as it happens. The Face uses mainly the former as they are real girls in actual situations but they are not 'everyday' places in most occasions with photo-shoots and fashion agencies playing a main role. Also there is an element of hidden surveillance when they live in a house together as a lot of this is recorded for the audience's entertainment to get a feel for the friendship and leadership dynamic among the girls, this is similar to programmes such as "I'm a Celebrity, Get Me Out of Here" and "Big Brother".
The Face has been created with certain concepts in mind and the girls auditioned and put through into the competition are there for a reason, while the footage may be real, it is usually extremely edited to fit the brief, genre or audience they are aiming for. It is filmed over 8/9 weeks with 8 episodes being shown, and each episode is 45 minutes therefore the amount of time spent filming the girls is no-where near what we're actually being shown. It becomes edited so that we only see the "best bits" for example certain clips of girls saying things will be put in places to add dramatic effect and set it up to be an interesting challenge as they might say they have a certain fear of something or never experienced it. This is called 'frankenbiting' where they edit together conversations extracts or sound bites to create a whole new dialogue or conversation, thus essentially creating alliances, fights and relationships among the judges or girls.  Often the girls actions will be taken out of context and send a misleading message to the audience. 
Reality shows typically don't have scripts, but there is often a shooting script or an outline that details aspects of an episode or part of the show. For example, in The Face there might be directions for certain challenges, tasks and camera angles and information the Judges must give to the camera to inform the audience. Reality producers and editors have a lot of control over what happens on the show, just by the fact that they've put people together in certain situations, and they're controlling what footage gets aired and what doesn't. 
Also another thing that separates reality TV from scripted programmes is the use of actors or not, reality TV is supposedly real people however after the shows have finished and background research has taken place, it becomes apparent that these real girls on the show have previous history of modelling or they're out-of-work at the moment and just want to go on this programme to get themselves a noticed by other brands that were previously un-reachable.

Lacan Theory
The Gaze is a psychoanalytical term brought into popular usage by Jacques Lacan. It describes the relationship of the subject with the desire to look and awareness that one can be viewed. The gaze can be motivated by the subject's desire to control the object it sees, and an object that can likewise capture and hold the subject's eye. The term 'gaze' is often defined as looking long and intently with affection at a subject. The gaze in this case is a relationship and not something that can be performed. A person who determines a sense of themselves as an individual element in the world makes up the idea of the gaze. The concept of the gaze is also a central part of theories looking within modernity. The gaze has affected historical, economical, and cultural environments.

Lacan Theory can be applied to The Face in which the judges and models are very aware of how they are represented to the audience, it appropriately comes with the 'territory' of modelling with having to be aware of your facial expression and body pose when in front of a camera for photo shoots or runway walking therefore the majority of these women are already aware of their actual body. How they are actually represented which is becoming more and more what the producer wants them to be for the audience is sometimes different to how they actually are due to post-production editing. For example the 3 judges have all got their characteristics and the audience can already anticipate what is going to happen through these traits, Naomi is very demanding, headstrong and tough with her group however Caroline & Erin are much softer in their approach and want their models to enjoy the experience. Therefore we can expect a rivalry between these two judges and Naomi due to how they've been presented to us within one episode and these judges understand that this is how they are being portrayed to the audience so they might emphasise this. This then questions the actual genre name as it is not so much a reality, more of a scripted baseline that is then given 'free-run' through the programme but still has a reasonably strict chronological order.

Tuesday, 8 October 2013

Lacan Theory

Lacan Theory
 
The French Psychoanalyst Jacques Lacan, an early and influential theorist of child development, found the concept of the gaze important in what he termed "the mirror stage", whereupon children gaze at a mirror image of themselves (usually an image of themselves in an actual mirror, but a twin brother or sister can also function as a mirror image) and use this image to derive a degree of coordination over their physical movements. Lacan therefore linked the concept of the gaze to the development of individual human agency. To this end, he transformed the concept of the gaze into a dialetic between what he called the ideal-ego and the ego-ideal. The ideal-ego is the image of imaginary self-identification - in other words, the idealized image that the person imagines themselves to be or aspires to be; whilst the ego-ideal is the imaginary gaze of another person who gazes upon the ideal-ego. An example would be if a famous rockstar (a category of identification which would function as the ideal-ego) secretly hoped that the school bully who tormented them as a child was now aware of his or her subsequent success and fame (with the imaginery, fantasmatic figure of the bully functioning as the ego-ideal).

'The Face' Research

Primary text: The Face
Why do style programmes exploit realism in order maintain audience interest in their genre?
First Celebrity Show - The Clothes Show
The Clothes Show is a British television show about fashion that can currently be seen weeknights on Really. It was formerly broadcast on BBC One from 1986 to 2000.
The Clothes Show was first broadcast on 13 October 1986, with Breakfast Time's Selina Scott and designer Jeff Banks as its first hosts. The show combined reports from the catwalks, with items on how to achieve the catwalk look, without breaking the bank. Selina and Jeff were later joined by Caryn Franklin (a former Fashion Editor and co-Editor of International style bible i-D magazine), and once Selina left, she took over as Jeff's main co-host.
Such was the success of the show, that in 1989 the annual Clothes Show Live event was launched at Birmingham's NEC, and later a magazine to accompany the programme. The programme continued on the BBC right up until the late 1990s, with other presenters over the years including Margherita Taylor, Tim Vincent, Richard Jobson and Brenda Emmanus. Series producers included Collette Foster and Jane Lomas, who had been a presenter on the earliest shows. James Strong, Mike Prince, Mark Westcott and Ann Wilson were amongst the directors. The Clothes Show Live event continues to be held annually at the beginning of each December.
On 7 August 2006, The Sun newspaper reported that The Clothes Show was to be resurrected after six years and would be shown on UKTV Style, hosted by Louise Redknapp, Caryn Franklin and Brendan Courtney. The programme moved from UKTV Style to a new channel called Really, after UKTV Style was rebranded Home on 30 April 2009.
First Competition Show - America's Next Top Model
America's Next Top Model (abbreviated ANTM and Top Model) is an American reality television series and interactive competition that premiered on May 20, 2003. The program has aired nineteen cycles, and sees several women compete for the title of "America's Next Top Model", providing them with an opportunity to begin their career in the modelling industry. Its premise was originated with supermodel and television personality Tyra Banks, who additionally serves as its executive producer and presenter.
America's Next Top Model employs a panel of three judges, who critique contestants' progress throughout the competition. The original panel consisted of  Tyra Banks, Janice Dickinson, Beau Quillian, and Kimora Lee Simmons. Since the nineteenth cycle, the panel consists of Tyra Banks, Kelly Cutrone, and Rob Evans. The series was among the highest-rated program on UPN, and was the highest-rated show on The CW from 2007 to 2010.Advertisers pay $61,315 per 30-second slot during the 2011–12 television season, the highest of any series on The CW.
 
What have people in the media said about this programme?
 
Naomi Campbell brings superdiva drama as she leads Karolina Kurkova and Coco Rocha in Oxygen's new "Voice"-like model competition
Oxygen's new supermodel competition series The Face mixes Top Model with The Voice, where twelve hopefuls compete individually and in teams coached by Naomi Campbell, Karolina Kurkova and Coco Rocha. Refreshingly, the series doesn't waste its inaugural episodes with auditions, which tend to drag. The Face immediately hopes into action by having the twelve featured girls ready to compete, and already placed with their model mentors.
 
Throughout the first series, the girls will be put through competitions similar to those seen on Top Model -- narrative fashion shoots, putting together outfits on the fly -- and will collaborate with fashion industry greats, TV personalities (like talk show host Wendy Williams) and others, hoping ultimately to be awarded a contract with ULTA beauty.
Photographer Nigel Barker serves as the host, but is removed from the real drama (at least as of the first episode), which takes place within the New York City loft the competitors share. The judges, too, bring their own spice to things -- which is not surprising at all given the inclusion of Naomi Campbell. Campbell's infamously strong personality and sensitivity to any slights against her team puts her in direct confrontation with the other judges, particularly the sweet and earnest Kurkova, who is probably the most balanced and the best mentor in the group. As for the third mentor, Rocha is, to start, on the fringe. While Kurkova nurtures the talents of her team and Campbell gives tough love, Rocha seems in her own world, wanting to shoehorn her team into following her own brazen style, so far with mixed results.
It's clear the supermodels populated their teams with girls who most mirrored themselves, which means that Campbell's is already primed for drama. The girls come from all over the world and represent a range of backgrounds and ambitions, but Campbell's team established themselves the quickest by having some of the most intense personalities in the competition, though she herself outshines them all. "I'm a little bit afraid of her," Alexandria from Belarus says during the group photo shoot. Her instincts are not wrong.
There are prizes awarded for every contest -- from a $5,000 shopping spree at Top Shop to a featured photo in W magazine in the first episode -- but on the flip side, at the end of each hour the mentor of the winning team from the group competition is able to eliminate one member from one of the remaining two teams (chosen by their own mentors). While the rest of the episode took place at whirlwind speed, things ground to a halt during the elimination round, which isn't surprising but did make me check the clock. The twist is the aftermath, wherein the mentor who made the elimination must face her other two supermodel mentors -- and potentially their wrath.
The Face borrows plenty of concepts from other modeling and competition shows, but it manages to throw enough fashion and dramatic interest at viewers to be engaging. Plus, many of the girls have the personalities or backstories that will make their journeys interesting to follow. Besides, if all else fails, the show has bought itself insurance: leave the camera on Naomi Campbell long enough, and something is bound to happen worth watching.

The Face Blog
 
 
 
Lacan Theory